The cultural development of what is present-day Bolivia is divided into three distinct periods: pre-Columbian, colonial, and republican. Important archaeological ruins, gold and silver ornaments, stone monuments, ceramics, and weavings remain from several important pre-Columbian cultures. Major ruins include Tiwanaku, Samaipata, Incallajta, and Iskanwaya. The country abounds in other sites that are difficult to reach and hardly explored by archaeologists.

The Spanish brought their own tradition of religious art which, in the hands of local indigenous and mestizo builders and artisans, developed into a rich and distinctive style of architecture, painting, and sculpture known as “Mestizo Baroque.” The colonial period produced not only the paintings of Perez de Holguin, Flores, Bitti, and others but also the works of skilled, but unknown, stonecutters, woodcarvers, goldsmiths, and silversmiths. An important body of native baroque religious music of the colonial period was recovered in recent years and has been performed internationally to wide acclaim since 1994. Bolivian artists of stature in the 20th century include, among others, Guzman de Rojas, Arturo Borda, Maria Luisa Pacheco, Master William Vega, and Marina Núñez del Prado.

Beni

Beni borders upon Brazil to the northeast, and the departments of Santa Cruz to the southeast, La Paz to the west, Pando to the northwest, and Cochabamba to the south. Beni’s territory is mainly covered by rainforest (particularly the northern and eastern portions of the department) and pampa (notably the grassland Moxos Plain to the south, closer to the Andean reaches). Some of the country’s main lakes are located in the department of Beni, as well as its most formidable rivers, including the Beni, Itenez, Yacuma, and Mamoré, the latter connecting with the Madeira River, the largest tributary to the Amazon.

Bolivia has had a total of 193 coups d’état from independence until 1981, thereby averaging a change of government once every ten months. Credit for the past quarter century of relative political stability is largely attributed to President Víctor Paz Estenssoro, who ceded power peacefully after cutting hyperinflation which reached as high as 14,000 percent.

Lake Titicaca drains southward through the slow-moving, reed-filled Desaguadero River to Lake Poopó. In contrast to the freshwater Lake Titicaca, Lake Poopó is salty and shallow, with depths seldom more than four meters. Because it is totally dependent on seasonal rainfall and the overflow from Lake Titicaca, Lake Poopó’s size varies considerably. Several times in the twentieth century, it nearly dried up when rainfall was low or the Desaguadero River silted. In years of heavy rainfall, however, Lake Poopó has overflowed to the west, filling the Coipasa Saltpan with shallow water.

Twelve years of tumultuous rule left the MNR divided. In 1964, a military junta overthrew President Estenssoro at the outset of his third term. The 1969 death of President René Barrientos Ortuño, a former member of the junta elected President in 1966, led to a succession of weak governments. Alarmed by public disorder and the rising Popular Assembly, the military, the MNR, and others installed Colonel (later General) Hugo Banzer Suárez as President in 1971. Banzer ruled with MNR support from 1971 to 1974. Then, impatient with schisms in the coalition, he replaced civilians with members of the armed forces and suspended political activities. The economy grew impressively during most of Banzer’s presidency, but human rights violations and eventual fiscal crises undercut his support. He was forced to call elections in 1978, and Bolivia again entered a period of political turmoil.

The high tourist season falls between late June and early September, due not only to climatic factors, but the timing of European and North American summer vacations and the fact that it’s also Bolivia’s major fiesta season. Both international visitors and lots of South Americans are traveling during this period, so prices are generally higher than during the rest of the year.

On November 30, 1538 Sucre was founded under the name Ciudad de la Plata de la Nueva Toledo by Pedro Anzures, Marqués de Campo Redondo. In 1538 the Spanish King Philip II established the Audiencia de Charcas in La Plata with authority over an area which covers what is now Paraguay, southeastern Peru, Northern Chile and Argentina, and much of Bolivia. The Audiencia de Charcas was a subdivision of the Viceroyalty of Peru. In 1601 the Recoleta Monastery was founded by the Franciscans and in 1609, an archbishopric was founded in the city. In 1624, St Francis Xavier University was founded.

Very much a Spanish city during the colonial era, the narrow streets of the city centre are organised in a grid, reflecting the Andalusian culture that is embodied in the architecture of the city’s great houses and numerous convents and churches. Sucre remains the seat of the Catholic church in Bolivia, and a common sight is members of religious orders dressed in traditional costume. For much of its colonial history, Sucre’s temperate climate was preferred by the Spanish royalty and wealthy families involved in silver trade coming from Potosí. Testament to this is the Glorieta Castle. Sucre’s University (Universidad Real & Pontifice de San Francisco Xavier de Chuquisaca) is one of the oldest universities in the new world.

Until the 19th century, La Plata was the judicial, religious and cultural centre of the region. In 1839, after the city became the capital of Bolivia, it was renamed in honour of the revolutionary leader Antonio José de Sucre. Too remote after the economic decline of Potosí and its silver industry, it saw the Bolivian seat of government move to La Paz in 1898. Many argue Sucre was the epicenter that initiated the independence campaign against Spain in all of Latin America. The first “Grito Libertario” (Shout of Freedom) took place in 1809. Ironically, Bolivia was the last territory to gain its independence in 1825. In 1991, Sucre became a UNESCO World Heritage Site.

The city attracts thousands of tourists every year thanks to its well-conserved downtown with buildings from the 18th and 19th century. Nestled at the foot of the twin hills of Churuquella and Sika Sika, Sucre is the gateway to numerous small villages that date from the colonial era, the most well-known of which is Tarabuco, home of the colorful “Pujllay” festival held each March. In these outlying villages, one is as likely to find a descendant of the Spanish conquest as members of an indigenous group that still dress in their unique native clothing they use not only to preserve their cultural identity but also to let others instantly know what town or region they are from.